Fibonacci proportion bridges from physical to non-physical. When you use those proportions, you’ll have a satisfying naturalness to your work – whether it’s a painting, a chair, a house, a car, or anything. They all have proportions and that 1.618 [ratio, Euclid’s and Aristotle’s Golden Mean, and Leonardo DaVinci’s Divine Proportion, which are all based on the Fibonacci Sequence] can be found in things that are strikingly beautiful. I don’t [consciously] use it all the time but having become aware of it, I don’t neglect it. I formally measure it in when I get stumped.
I think it’s where the real beauty is. When I look at something that is naturally beautiful, it’s not a fad; it has a lasting quality. I think the “Art World” will go after things that are different; not necessarily that are beautiful, but just different. Newness can create an effect on others. Everyone gets excited about the differentness of it. But if you succumb to the fad and buy into it, your purchase will quickly become dated. Natural beauty is lasting. It’s classic and it never goes out of fashion.